Concert reviews

Just some of the feedback we have had from our audience and supporters - thank you so much:

  • An amazing concert, and so good to know that this orchestra is our local one!

  • What a way to spend a summer Sunday afternoon. Thank you to everyone who was involved, a fantastic group of dedicated musicians who played purely for the joy of sharing music with us.

  • Heartfelt thanks for an uplifting and sensational performance.

  • Fantastic concert - well played by all. Emily is definitely 'one to watch'.

    - Jane Olds
  • At some point in the first movement, two heads, which had been between me and the soloist, parted so that I caught the movement of her arm and felt a sense of shock to realise that there was a human agency and a physical object at the source of this "out of this world" sound by which I had been carried away. Also, it is about 70 years since I cried at the beauty of a piece of music, (as an emotional teenager!) but when the quiet theme resumed after the more theatrical passage towards the end of the first movement, I really did feel the tears come into my eyes. I shared this with my neighbour and he had experienced exactly the same.

  • What a lovely family occasion it was, of a very high musical standard and most enjoyable!

  • I have been coming to TC concerts for the last 4 years and I think the orchestra gets better and better!

  • Absolutely fantastic concert; amazing young soloist.

  • The whole afternoon was brilliant and we had a great time enjoying the music. My in-laws couldn’t believe it was a local orchestra.

  • The Bach absolutely danced!

  • It was a joy to have such accomplished musicians playing with such assurance and we all thought the trio of soloists in the opening Brandenburg Concerto were superb and set us off with a momentum which never eased.

    - Phoenix choir member
  • Who would have thought we could hear music like this in Bicester.

  • In a letter of 1943, Ralph Vaughan Williams recalls being taken, as “an insufferable young prig” to a performance of Carmen. He went, he says, “prepared to scoff, but remained to pray.” The composer was quoting from Oliver Goldsmith’s poem The Village Preacher, which describes a simple country clergyman whose sermons, unaffected and straightforward, left even the most worldly and cynical on their knees at the end of the service.

    I must hasten to make it clear that I did not come to the Trinity Camerata’s performance of Vaughan Williams’ Fifth Symphony “prepared to scoff”! However, I did feel some trepidation when I saw it on the programme. It is a very difficult work, making huge demands on all sections of the orchestra. How would the lush string passages sound with such a small group? How would the woodwind fare with the many exposed solos? How would the players negotiate the dramatic cross-rhythms of the scherzo? Would they be able to generate the energy called for by the great triumphal climaxes of the last movement?

    These questions were answered by the awed hush in the church at the conclusion of the symphony, after that wonderful passage when, in the words of Sir Adrian Boult, “The sky gradually fills with angels.” For a long time after the sound faded, nobody in the audience moved. The word “spiritual” is much misused these days, but I can think of no better description of the atmosphere which had been generated by the music. Much of the material in Vaughan Williams’ Fifth Symphony is related to his Bunyan opera The Pilgrim’s Progress, and there was a real sense of Pilgrim’s journey in the performance, starting with his religious awakening in the first movement, moving through worldly temptations in the scherzo, and arriving at a  recognition of the suffering Christ in the slow movement (“He hath given me rest by his sorrow and life by his death”).  In the last movement Pilgrim sees the Holy City in the distance beyond the cold river of death, and determines to cross over. With glorious Easter alleluias resounding he finally reaches his journey’s end (“And the trumpets sounded out for him upon the other side”) as the music swells to a huge climax and then resolves in a heavenly, angelic peace.

    So congratulations to the Trinity Camerata for bringing out the full emotional impact of this challenging piece. It was a truly moving performance and at the end, hardened cynic that I am, I confess that a tear came to my eye; and yes, although my arthritic knees prevented my kneeling, I did remain to pray- even if those Easter alleluias were a bit premature in Lent!

    - Nigel Timms
  • What a brilliant concert!

  • Local orchestras don't get much better than this!

  • I love coming along to your concerts. The church is so beautiful, and I can just relax and let the music take me to another place. I loved the guitar concerto last Sunday - I was humming it all the way home!

  • The concert had a determined energy and spark about it which was a pleasure to be part of.

    - Nancy Roberts
  • The children were dancing in the south aisle to the Nutcracker! And there were continual ripples of excitement across the audience during the Snowman.

  • Thomas is still singing The Snowman..

  • Your concerts are the start of our Christmas.